CV
Contact
info@roseeaston.com
tasneemsarkez@gmail.com
info@roseeaston.com
tasneemsarkez@gmail.com
B. 2002, Portland, OR.
Based in New York, NY
The New York based artist Tasneem Sarkez works across various media to create pieces that are united by their elegant marriage of pop visuals and potent sociopolitical symbolism. Elements of autobiography combine with broader mainstream signifiers, often nodding to American media and culture, in an ongoing exploration of her own experience of living in the diaspora as an Arab woman. The car – a universally recognized symbol of speed, status, commerce, mechanisation and technology – frequently recurs as a subject in her work, with a particular focus on the customisations that are made to privately-owned vehicles. These one-off alterations have the power to turn each machine into a functional, three-dimensional reflection of its driver’s aspirations, politics, class, and identity, and Sarkez, drawing on Arab car culture, plays on this delicate balance between self-expression and capitalist pressure. She presents the souped-up automobile as an ostensible symbol of the West that is ripe for perversion, reinvention, and destruction: a mechanised meme, heavily lacquered with irony, and powered by the tensions between good taste and bad taste; the individual and the state; kitsch and violence; the Arab world and America; masculinity and femininity; the past and the present.
- Phillipa Snow
Selected Solo exhibitions include: Romance, Pittsburgh (forthcoming, 2025), ‘White-Knuckle’ - Rose Easton, (London, UK, 2025).
Selected group exhibitions include: ‘miART’ - Rose Easton (Milan, IT, 2025), ‘Poor Images’ - Siddiq Projects (Hamburg, GE, 2025), ‘we know nothing about people who don’t cry’ - Romance (Pittsburgh, PA, 2025), ‘SLxRE (New York)’ - Silke Lindner (New York, NY, 2024), ‘Art Brussels’ - Rose Easton (Brussels, BE, 2024), ‘Dirt in the Eye’ - Gnossienne Gallery (London, UK, 2024), ‘Saccharine Symbols’ - Rose Easton (London, UK 2023), ‘Me and you and me and’ - SADE Gallery (Los Angeles, 2023), ‘Beginner's Luck’ - Rosenberg Gallery (New York, NY, 2023), ‘Transversal: Where We Come From and Where We Are Going’ - 80 WSE Gallery (New York, NY, 2023), ‘Printing the Future’ - Diefirma Gallery (New York, NY, 2022).
In 2023 she received the Martin Wong Award from the Martin Wong Foundation. Her work is in the collection of the Thomas J. Watson Library in the Metropolitan Museum of Art, New York and FORMA Arts, London, UK.
Based in New York, NY
The New York based artist Tasneem Sarkez works across various media to create pieces that are united by their elegant marriage of pop visuals and potent sociopolitical symbolism. Elements of autobiography combine with broader mainstream signifiers, often nodding to American media and culture, in an ongoing exploration of her own experience of living in the diaspora as an Arab woman. The car – a universally recognized symbol of speed, status, commerce, mechanisation and technology – frequently recurs as a subject in her work, with a particular focus on the customisations that are made to privately-owned vehicles. These one-off alterations have the power to turn each machine into a functional, three-dimensional reflection of its driver’s aspirations, politics, class, and identity, and Sarkez, drawing on Arab car culture, plays on this delicate balance between self-expression and capitalist pressure. She presents the souped-up automobile as an ostensible symbol of the West that is ripe for perversion, reinvention, and destruction: a mechanised meme, heavily lacquered with irony, and powered by the tensions between good taste and bad taste; the individual and the state; kitsch and violence; the Arab world and America; masculinity and femininity; the past and the present.
- Phillipa Snow
Selected Solo exhibitions include: Romance, Pittsburgh (forthcoming, 2025), ‘White-Knuckle’ - Rose Easton, (London, UK, 2025).
Selected group exhibitions include: ‘miART’ - Rose Easton (Milan, IT, 2025), ‘Poor Images’ - Siddiq Projects (Hamburg, GE, 2025), ‘we know nothing about people who don’t cry’ - Romance (Pittsburgh, PA, 2025), ‘SLxRE (New York)’ - Silke Lindner (New York, NY, 2024), ‘Art Brussels’ - Rose Easton (Brussels, BE, 2024), ‘Dirt in the Eye’ - Gnossienne Gallery (London, UK, 2024), ‘Saccharine Symbols’ - Rose Easton (London, UK 2023), ‘Me and you and me and’ - SADE Gallery (Los Angeles, 2023), ‘Beginner's Luck’ - Rosenberg Gallery (New York, NY, 2023), ‘Transversal: Where We Come From and Where We Are Going’ - 80 WSE Gallery (New York, NY, 2023), ‘Printing the Future’ - Diefirma Gallery (New York, NY, 2022).
In 2023 she received the Martin Wong Award from the Martin Wong Foundation. Her work is in the collection of the Thomas J. Watson Library in the Metropolitan Museum of Art, New York and FORMA Arts, London, UK.
Selected Solo/Two-Person Exhibitions/Fairs
Romance, Pittsbrugh, PA (forthcoming, 2025)
miART, Two-person booth with Eva Gold, Rose Easton, Milan, IT (2025)
White-Knuckle, Rose Easton, London, UK (2025)
Selected Group Exhibitions/Fairs
Poor Images, curated by Ruba Al-Sweel, Siddiq Projects, Hamburg, DE (2025)
we know nothing about people who don’t cry, Romance, Pittsburgh, PA (2025)
SLxRE, Silke Lindner Gallery, New York, NY (2024)
WANAWAL Archives, curated by Evar Hussayni, FORMA Arts, London, UK (2024)
Art Brussels, Rose Easton, Brussels, BE (2024)
Landscapes of Ornamentation, curated by Marie Catalano, 80 WSE Gallery, Broadway Windows Gallery, New York, NY (2024)
Dirt in the Eye, curated by Sahand Nezamabad, Gnossienne Gallery, group show with Anna Clegg, Uccella Khan-Thomas, and Polly Plowden, London, UK (2024)
I THREW MYSELF IN A CONCRETE MIXER, Gallatin Galleries, New York, NY (2023)
Saccharine Symbols, Rose Easton, three-person show with Marisa Kriangwiwat Holmes & Shamrian Istifan, London, UK (2023)
Me and You and Me and, SADE Gallery, Los Angeles, CA (2023)
SPEW, curated by Violet Cheverez and Coco, Waste Gallery Space, London, UK (2023)
Beginner’s Luck, two-person show with Sarah Carliner, Rosenberg Gallery NYU, New York, NY (2023)
Printed Matter: East Village Zine Fair, Performance Space, New York, NY (2023)
Brooklyn Art Book Fair, Amant Foundation, New York, NY (2023)
Transversal: Where We Come From and Where We Are Going, 80 WSE Gallery, New York, NY (2023)
Printing the Future: Riso Revolution, curated by Panayiotis Terzis, Diefirma NYC Gallery, New York, NY (2022)
Kitchen Sink, Postcrypt Art Gallery, Columbia University, New York, NY (2022)
Printed Matter: New York Art Book Fair, 548 W 22nd St, New York, NY (2022)
Retracing Home, two-person show with Oscar Garay, Rosenberg Gallery NYU, New York, NY (2022)
Growth Axis, 80 WSE Gallery, New York, NY (2022)
Liminal Space, curated by Annabelle Park, 42 Rivington St, New York, NY (2021)
LKTV exhibition with Lino Kino Collective x Hotbed Micro gallery, Philadelphia, PA (2021)
Erotica, Postcrypt Art Gallery, Columbia University, New York, NY (2021)
LKTV exhibition with Lino Kino Collective x Auto Mat gallery, Philadelphia, PA (2021)
Press
“For Tasneem Sarkez, Memory is the Medium” by Sahir Ahmed, Document Journa, (2025)
“miart 2025 SoiL, shoes, uplifting colors, and a touch of dystopia” by Mark Westall, FAD Magazine (2025)
“10 works not to be missed at the Milan art fair this weekend” by Irene Caravita, Vogue Italia (2025)
“Tasneem Sarkez’s Algorithmic Still Lifes” by Sarra Alayyan, DAZED MENA issue 01, Print Magazine (2025)
“The Bus Is Leaving Without Us” by Lydia Eliza Trail, Spike Magazine (2025)
“Tasneem Sarkez's heady mix of kitsch, Arabic and Americana hits London” by Zoe Whitfield, Wallpaper (2025)
“In the studio with Tasneem Sarkez” by Keshav Anand, Something Curated (2025)
“Meet the Artist Inspired by Facts, Fake News, and AI” by Violet Goldstone, SHOWstudio (2025)
“Tasneem Sarkez ‘White-Knuckle’ at Rose Easton, London,” Mousse Magazine (2025)
“Tasneem Sarkez “White Knuckle” Rose Easton Gallery / London, Review by Lydia Eliza Trail, Flash Art (2025)
“White-Knuckle,” Contemporary Art Library (2025)
“Tasneem Sarkez Is Turning ‘Arab Kitsch’ Into a Bold Exploration of Identity” by Adam Schrader, ARTNET (2024)
“’SLxRE (New York)’ at Silke Lindner, New York, Mousse Magazine (2024)
“SLxRE (New York),” Contemporary Art Library (2024)
“These Gallerists Have Transatlantic Chemistry” by Sofia Holström, Elephant Magazine (2024)
“Tasneem Sarkez” for KIDZ 2023 curated by Raphaelle Bellanger & Anna Gardere, Book (2024)
“Tasneem Sarkez” for Lilypad Issue #5, Print Magazine (2024)
“SPECIAL FEATURE: Art Brussels 2024 (Part 1),” Art Viewer (2024)
“Tasneem Sarkez in conversation with Clyde Nichols” by Clyde Nichols, Overstandard (2024)
“Tasneem ‘Neem’ Sarkez on confronting the translational abstraction of Arabness” by Sarah Sadia Daoui, AZEEMA Magazine (2023)
“Saccharine Symbols - A Sweet Tooth for Politics” by David Valero, Metal Magazaine (2023)
“Sugar-Coated Realities: An Interview With the Artists of ‘Saccharine Symbols’” by Rosie Fitter, Elephant Magazine (2023)
“Art shows to leave the house for in december 2023” by Ashleigh Kane, DAZED (2023)
“Saccharine Symbols”, Contemporary Art Library (2023)
“Saccharine Symbols at Rose Easton,” émergent Magazine (2023)
“Neem Sarkez is a Designhead” by Sahir Ahmed, Pink Essay (2023)
“Photography Then” by Clyde Nichols, ArtSeen - Brooklyn Rail (2023)
"A Show of Firsts" by Tasneem Sarkez, Read Copy Co (2023)
“Studio Diaries” by Tasneem Sarkez, Read Copy Co (2023)
Scratch Zine, Vol. 5 , Print Magazine (2022)
“What’s Gone is Dead” by Tasneem Sarkez, Asterisk* Journal for Art & Art History Issue #004, Yale University (2021)
Scratch Zine, Vol.3 "In Process", Print Magazine (2021)
Visceral 8 second issue "NOW" (2020)
Awards
Martin Wong 2023 Award, Martin Wong Foundation and the Department of Art and Art Professions, New York University (2023)
Public Collections
FORMA Arts, London, UK
Thomas J. Watson Library, The Metropolitan Museum of Art, New York, NY
Education
BFA, New York University (2024)